Hinemihi is
a Maori meeting house built by Tene Waitere
in 1880. It originally
stood in Te Wairoa which is a buried village between Rotorua and Mount
Tarawera. Hinemihi served as an attraction for tourists visiting the landmark
famously known as the Pink and White Terraces. When Mt Tarawera erupted in
1886, Hinemihi saved a mare few people from the tonnes of ash and mud that
rained down on Te Wairoa. In 1893, Governor
General William Hillier Onslow purchased the hut for 50 pounds as a memento of
his visit to New Zealand. He had it shipped back to England where is currently
still stands at Clandon House in Surrey.
The history of this little marae is
rich with matauranga (Royal, Politics and Knowledge: Kaupapa Maori and
Matauranga Maori). It contains a lot of traditional knowledge because of all it
has seen in the time it has stayed standing strong. Many New Zealand people
believe this piece of Maori ancestry should be brought back to Aotearoa where
it belongs, but due to it now being owned by the UK’s National Trust, all that
can be done is wait until it is offered back. New Zealander’s want to be
reconnected to their roots and have their history on Aotearoa soil again. Jim
Schuster works for Heritage New Zealand and works in marae restoration. His great
grandfather was Tene Waitere, Hinemihi’s carver.
This of course is not a new issue. New
Zealander’s are always wanting to get back to their origins and learn as much
as they can about the foundations that made them, especially the Maori people
due to the colonization of the European in the 19th century (Walker,
Coming of the Pakeha). Even back then when Maori and Pakeha fought, they were
fighting for land and anything on it. “If you are … occupying indigenous lands
you are … a colonizer” (Indigenous Action Media, 7). Even now, elements of this
conflict still exist and Hinemihi is one of them. Maori and European, still
debating over who has the rights to aspects of New Zealand culture.
This also relates back to art. Take the
carving on Hinemihi for example. They tell a story of our country and its
people, as does colonial art. Art is informative, and Maori people see Hinimihi
as being a piece of traditional knowledge. The Matauranga Maori that is
represented through this piece of art means something to the people of New
Zealand and bringing it back to Aotearoa soil is looked at as a way to
reconnect with an ancestral past.
Works Cited:
McKee, Hannah. “Hinemihi, the Maori
Meeting House far away from home.” Stuff,
22 Oct 2016, http://www.stuff.co.nz/entertainment/arts/85241386/hinemihi-the-maori-meeting-house-far-away-from-home
Royal, Charles.
"Politics and Knowledge: Kaupapa Maori and Matauranga Maori." New
Zealand Journal of Educational Studies, vol.47, no.2, 2012, pp. 30-37.
Walker, Ranginui.
"Coming of the Pakeha." Tauiwi, 1990.
Indigenous Action Media, “Accomplices Not Allies – Abolishing the Ally
Industrial Complex,” version 2, 05 Feb 2014.
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